Lee Valley Tools Woodworking Newsletter
Vol. 2, Issue 3
January 2008
 
Tuning and Using Molding Planes
 
 
  • The maker's name is usually imprinted on the plane's toe. You may also see elegant script writing, normally on the heel. Likely done by the merchant, it's often a description of the profile shape, but sometimes there's also a selling price included. Don't clean these areas.
Elegant writing on heel
Elegant writing on heel
Made by Alexander Wallace of Montréal circa 1845–1870, this plane has a distinct name stamp on its toe (left), and displays elegant writing on its heel (right).
 
  • Use fine wet/dry sandpaper (about 400 grit) and a bit of light machine oil to scour away blade rust. Don't worry about the bevel or polishing the face at this stage.
  • Varsol™ or Murphy® Oil Soap used full strength (without added water) and a soft cloth remove superficial dirt on the body and the wedge well. For stubborn grime, use a fine grade of steel wool or a Scotch-Brite pad in localised areas only; avoid using abrasion on the sole. The idea is to clean, leaving the original finish and patina intact. Be careful while cleaning the front of the block where the maker's stamp is; it's important to the plane's monetary value and its significance as an artifact.
  • Clean the confined areas of the throat using a toothbrush. Remove any residue with a twisted cloth or paper towel. If you don't, it may act as glue and lock the wedge.

Some later factory planes were varnished, but most others were finished using boiled linseed oil. It was generally recommended to reapply linseed oil, or, in the case of a cracked stock, to immerse the body in an oil bath. In my experience, not only does this practice not close the cracks, it also leads to sticky droplets of oil bleeding out of the stock even 20 years later. Also, linseed oil actually feeds an enzyme reaction that slowly degrades wood—better to use it on new things you've made, not objects you're trying to preserve. Most museums and collectors use good quality furniture paste wax.
 
 

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